Get American Cinema of the 1990s: Themes and Variations PDF

By Christine Holmlund

ISBN-10: 0813543657

ISBN-13: 9780813543659

ISBN-10: 0813545781

ISBN-13: 9780813545783

With the U.S. economic climate booming less than President invoice Clinton and the chilly battle ultimately over, many american citizens skilled peace and prosperity within the nineties. electronic applied sciences received acceptance, with approximately a billion humans on-line through the top of the last decade. The movie puzzled what the impact on cinema will be.

The essays in American Cinema of the Nineties learn the big-budget blockbusters and significantly acclaimed self reliant movies that outlined the last decade. The Nineties' most well liked style, motion, channeled anxieties approximately worldwide threats comparable to AIDS and international terrorist assaults into escapist leisure videos. Horror motion pictures and thrillers have been at the upward thrust, yet family-friendly photographs and feel-good romances netted large audiences too. in the meantime, self reliant motion pictures captured hearts, engaged minds, and invaded Hollywood: via decade's finish each studio boasted its personal ''art film'' associate.

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A fully accredited Mafioso” (34). In Goodfellas, the ultimate measure of the “made man” is ethnic purity; Henry himself is ineligible for this status, he tells us in voiceover, because he is half Irish (see Ruberto on the ethnic dimensions of this film, and also Colley; Nicholls; Kolker; and Nyce). The girlfriend’s casual remark about interracial desire conjures up the spectral black criminal who is the elusive rival of the “goodfellas” in this film. ” We never see the truck or the criminals, nor do we even see the speaker again, nor is this bit in any way incorporated into the narrative.

4. Armageddon’s estimated costs were $150 million, Titanic’s more than $200 million. 5. MPAA releases were relatively stable from 1995 on, ranging from 212 to 221 films a year (Schauer and Bordwell 231–35). 6. In 1990, the Italian-owned communications company Pathé bought MGM/UA. In 1992, Pathé lost control to the Crédit Lyonnais. Crédit Lyonnais renamed the studio MetroGoldwyn-Mayer (Allen 38). 7. For an engaging and informative read about how a low-budget movie gets produced, see Vachon and Edelman.

But even this top tier was experiencing an economic slowdown that was openly being labeled a recession. Meanwhile, investigations revealed that thousands had been defrauded in junk bond scandals, in which Michael Milken—who pleaded guilty to securities fraud and was imprisoned and fined $600 million— became an icon of thirtysomethings’ corruption. At the same time, the working classes suffered from a stagnated minimum wage and the increasing move of manufacturing jobs to overseas sites (Borger 51; Samuelson 22–23).

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American Cinema of the 1990s: Themes and Variations by Christine Holmlund

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