By A. S. Bhalla
Buddhism, which originated in India within the 6th century BC, pale into close to oblivion via the 13th century. in spite of the fact that, it unfold to different international locations in Asia, and besides it, Buddhist artwork. Like many different religions, Buddhism stumbled on expression within the paintings and structure of a number of the cultures it touched. Tracing the Indian effect on Buddhist artwork in Asia is a imperative subject of this booklet. Dr A.S. Bhalla investigates how representations of Buddha, Buddhism and Buddhist artwork developed among areas and among epochs. From India to Thailand and Burma and finally to China the faith grew in impression basically to die and thrive back in numerous types. With it grew various types of Buddhist artwork (architecture, sculpture and portray) from Afghanistan, India, Nepal and Sri Lanka in South Asia to Cambodia, Indonesia and Thailand in Southeast Asia, and China, Japan and South Korea in East Asia. How may possibly the priests, in most cases mendicants surviving on alms, find the money for to construct amazing monasteries and cave temples? Did royal patronage advertise Buddhist paintings? Why did the Tantric department emerge? How did Buddhism continue to exist Islam and co-exist with Hinduism? How and why was once human kind of Buddha depicted even if Buddhism didn't think in idol worship? Bhalla investigates those and different questions within the shadows of the structure, the work of art, and sculptures of Buddha. The publication includes wealthy illustrations of temples, monasteries and stupas in addition to work and sculptures from a few holy Buddhist websites together with Ajanta, Amaravati, Bharhut, Bodhgaya, Ellora, Karle, Sanchi and Sarnath in India, Sirigiya in Sri Lanka, Angkor Wat, Angkor Thom and Banteay Srei in Cambodia, Ayutthaya and Bangkok in Thailand, Dali in China and Kamakura and Nikko Toshugo in Japan.
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Extra info for Buddhist Art in Asia
Royal Patronage Royal patronage was an important factor explaining the spread of Buddhist art in India and the rest of Asia. 1 describes the royal dynasties in India under which Buddhist art prospered. Royal members of some dynasties practised Hindu religion but tolerated Buddhism and promoted Buddhist art by building or renovating monuments. Perhaps royal patronage was motivated by the concern of the rulers ‘for the fortunes of their empire’ (Dehejia, 1997:112). 1 Ancient Indian dynasties and patronage of Buddhist art Dynasty Maury a Ashoka Period of Religion reign 3 2 1 -1 85 BC.
Internal causes of the decline of Buddhism were perhaps as important as the external ones. Buddhism relied too heavily on costly monastic institutions enjoying royal patronage but not popular support. Buddhist monasteries remained isolated from the surrounding village communities (The Encyclopaedia of Religion, 1987:380). Hindu Brahmin priests had a strong hold on kings who were generally very religious at that time. The kings turned to royal priests for ceremonies, rituals and good omens. With the spread of Buddhism, the royal priests lost their power and influence and must have resented this situation.
Chaityas. Chaityas are Buddhist prayer halls and temples as in Ajanta. But they also refer to ‘sacred buildings or temples generally consisting of a hall containing a sacred object to be worshipped, such as a small stupa or a Buddha image’ (The New Encyclopaedia Britannica, 1981a:396). A chaitya is generally an apsidal hall with a central nave flanked by aisles. The apse is usually covered by a half dome with rows of pillars on either side. A stupa in the middle was built for worship. The prayer halls are generally quite large to accommodate large congregations of worshippers.
Buddhist Art in Asia by A. S. Bhalla