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Dem Beispiel von II Gesu folgend, miindet das dunklere Langhaus im lichterfiillten Kuppelraum. Friihes Beispiel italienischer Barockanlage im deutschen Kunstgebiet. Salzburg. Cathedral (Solari, 1614—28). Following the plan of 11 Gesu, the darker nave leads into the light-filled crossing under the dome. An early example of an Italian Baroque plan north of the Alps. 12 ; < r W,j * r n ,pr*^ -''^ Die Palastbauten des friihen Barock entwickeln sich in fast unmerklichem Obergang aus Vorbildern der Renaissance und des Manierismus Links oben: Cranada.

I<'W^^ ,^ tM . •i'Vj Hartig Rom. Peterskirche. Machtvolle Verbindung von Renaissance und Barock - in der von Michelangelo entworfenen Kuppel mit der giebelgekronten Saulenfassade des vorgesetzten Langhauses (Maderna, 1607—12). Rome. St. Peter's. Renaissance and Baroque meet: Michelangelo's dome and Madema's facade (1607—12). 28 m m ^^^pr^^^^^i Kl|^^^^ ' • -^S^^^^'"^ ^ikTm^^t^^ mii^^B^HBMim^rriiiiiiMi- Kersting London. St. London. 29 Pauls-Kathedrale St. (Sir * ^1 1 " M^^^^^B' Christopher Wren, 1675-1710).

Outside Italy, the transition from Mannerist elaboration to the Early Baroque frequently takes the form of severe simplicity. Left: Augsburg. Town hall (Elias Holl, 1610—20). Right, above: the convent at Seckau, Styria (1619—37). Below: Skokloster, near Stockholm. The Palace (1646-68). Schneiders " Friihbarock im Norden. Augsburg. Zeughaus (Elias Holl, 1602-07). Voluten, betonte Gesimse Flachenzier, sondern stehen im Dienste einer bevvegten Plastizitat des Baukorpers. und aufgesprengte Giebel sind nichf mehr blo2e Early Baroque in the North.

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Buildings of Europe: Baroque Europe by Harald Busch


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