Clearing the Path: Writings of Nanavira Thera (1960-1965) by Nanavira Thera PDF

By Nanavira Thera

ISBN-10: 9559032003

ISBN-13: 9789559032007

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Additional info for Clearing the Path: Writings of Nanavira Thera (1960-1965)

Example text

See Mama & Saïkhàra. e. that is cognized). ). The v. e. knowledge that the fundamental Nature of Things is invariable in time and can be inferred with certainty (unlike rational inference) from present to past or future. See Nidàna/Abhisamaya Saüy. ii,58>. In other words, generalization without abstraction—see Mano [b]. 69 nàma nàma phenomenon has two characteristics, inertia and designation (pañigha and adhivacana). The inertia of a phenomenon is råpa (‘matter’ or ‘substance’), which may be seen also as its behaviour; and this presents itself only in the passage of time (however short).

E. b–or–c], therefore there is none. It now turns out that we do find such predicates and that the disjunction must be fourfold: if A is b or c it must be b or c or d or e. No doubt the only evident example is the three-dimensional nature of geometrical space, which can be represented by four points (the vertices of a tetrahedron), any one of which can be taken as the point of origin to the exclusion of the other three (which remain possible). ) Dhamma p. This does not mean that what is preferred will necessarily be obtained; for each aspect, actual or possible, is presented with its own arbitrary inertia at the most immediate level of experience.

The elusiveness of images is not at all the same as the elusiveness of the subject. ) e. ‘I urge the following dilemma. ’—F. H. Bradley, Appearance and Reality, Oxford (1893) 1962, Ch. XXIII. 54 Arising (appearance) is manifest; disappearance is manifest; change while standing is manifest. (Cf. ) f. Cf. ‘La “chose” existe d’un seul jet, comme “forme” [Gestalt], c’est-à-dire comme un tout qui n’est affecté par aucune des variations superficielles et parasitaires que nous pouvons y voir. -P. Sartre, op.

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Clearing the Path: Writings of Nanavira Thera (1960-1965) by Nanavira Thera


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