By Luciana Parisi
A suggestion that algorithms aren't easily directions to be played yet pondering entities that build electronic spatio-temporalities.
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Extra resources for Contagious Architecture: Computation, Aesthetics and Space (Technologies of Lived Abstraction)
However, according to Chaitin, these discrete states are themselves composed of infinite real numbers that cannot be counted through finite axioms. This means that the incompleteness of computational models cannot simply be explained away by the paradigmatic substitution of biological dynamics for mathematical axiomatics. On the contrary, one must explain the incompleteness of computation by addressing contingency within algorithmic processing. This is to say that it is in the axiomatic method of computation that incomputable algorithms reveal the incompressible (infinite, nondenumerable, uncountable) discrete unities, which are strictly neither mathematical nor biological.
57 Thus, the principle of automated computation presupposed that input data were ceaselessly transformed into finite numbers of discrete states able to register, transmit, and calculate any data without human intervention. 59 The creation of artificially intelligent machines, in which finite sets of rules could process vast and complex amounts of information, was central to first-order cybernetic research, which focused on programming inputs rather than on using algorithms to extend capacities of interaction and communication between systems.
The wall glows brighter when users get closer, and dimmer when they move away. More exactly, the LED skin pulses rapidly and slowly in relation to the position of other wall elements, which are individually programmed so that each has its own region of interactivity while communicating with all the others. Sound adds another element of interaction. The interactive architecture of the wall brings together synchronic movements of calmer sounds and asynchronic motion intended to build an intensified sonic ambience.
Contagious Architecture: Computation, Aesthetics and Space (Technologies of Lived Abstraction) by Luciana Parisi